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Heirloom

Heirloom

I had no inheritance from my parents. Any remaining monies were exhausted in my mother’s end of life care. And few of their tangible belongings have been passed to me. I have my mother’s violin and her dining room set, a Celtic cross that my father hung around his neck. And nothing, nothing at all, save a few Bible commentaries bearing my grandfather’s name, from grandparents on either side.

Not even stories, stories of ancestors remembered and passed along generation to generation. The only grandparents I knew were my mother’s parents and they lived three thousand miles distant on the opposite coast. Our nuclear family lived isolated, far both physically and emotionally from any extended family and my parents told few, if any, stories, of childhood, of their parents or grandparents, of characters in the family tree, noble or ignoble.

My heirloom, the one single entity of precious value my parents purposefully passed to me was their faith, the faith that had shaped and directed my mother’s consciousness from the very beginning of her life, the faith that had captivated and delighted my father of a sudden when he came upon it or it came upon him as a college student in Michigan.

It was a faith, not of rote or custom or habit, not driven by compulsion or fear of celestial consequences, not a means of attaching themselves to a desired social cohort, but a thing deeply personal, palpably passionate, curious and creative and explorative and resilient. It was not a piece of their life together, but its centerpiece, the first principle, the driving motivation, the guiding star in every decision they made, in every project they undertook.

It was this faith, this kind of faith — generous and humble, earnest and accepting — that they passed to me. But, of course, faith, genuine faith, is such a thing that cannot be passed. It cannot be possessed secondhand. I did live their faith for a while, as a child and even into young adulthood, eager to please them, eager to do right and be right.

But one day, not in a single moment, but in an accumulation of moments, existential crises and intellectual discoveries, seeing new things, feeling new things, sensing for myself the real meaning of the Jesus among us, the Jesus with me, that faith became mine, no more my parent’s faith, but mine, the centerpiece of my life.

My heirloom is not really something my parents could give me, but only something they could point to, hoping and praying, that for the sake of my their joy, for the sake of my own joy, for the sake of joy itself, I would be able to find my way there.

And gladness of heart

And gladness of heart

And gladness of heart …

I was sixteen years old, a high school sophomore and a trumpet player, selected for the Massachusetts All-State Band. The festival and concert that year were held in Plymouth. My girlfriend at the time was a junior, singing alto in the All-State Chorus.

I have only vague memories of the pieces our band played that weekend and no memories at all of our conductor. But my memories of each composition sung by the chorus and of their exuberant and charismatic director are vivid and enduring.

Every time the band took a rehearsal break, I would run to the room where the chorus was practicing to watch and to listen, not because my girlfriend was there, at least not entirely, but because of the guest choral conductor and because of the music.

The conductor was Vito Mason. I remember him as tall, with dark hair and a commanding physical presence. He would lead the choir through a series of remarkable vocal exercises, not singing, but vocalizing nonsense syllables and sounds, teaching them to follow closely, so closely, the nuances of his gestures, responding to his direction with changes in volume, intensity, timbre, mood. He had them, and me too, literally at his fingertips.

And the music they sang, yes, every piece, enthralled me, but one song, one song in particular, became indelibly imprinted on my soul. He prepped them for the opening of the piece. He would give them only the smallest of hand signals, not giving listeners any foreshadowing of what was to come, and they would suddenly shatter the silence with their bold declamation …

Have ye not known?
Have ye not heard?
Hath it not been told you from the beginning?
Have ye not understood from the foundations of the earth?

Oh, my! Even now as I write these words, the profundity and power of Randall Thompson’s perfect setting of the Isaiah text— yes, I will say perfect! — rings in my ears and overwhelming emotion wells up within me. From the beginning, from the first unison notes, this song takes hold of me, body and spirit, and will not let me go.

But that is only the beginning. The song performed by the All-State Chorus to close the Plymouth program is actually two songs, the final two sections of a larger work by Thompson entitled, The Peaceable Kingdom. After the short and thunderous opening, “Have ye not known,” comes the longer melodic and hypnotic, “Ye shall have a song,” featuring eight parts, a double choir …

Ye shall have song,
as in the night when a holy solemnity is kept;
And gladness of heart
As when one goeth with a pipe
To come into the mountain of the Lord.

The text is simple, unassuming, almost innocuous, but — oh — the music! Building, ever slowly, but ever surely, soaring, dancing, exulting. I had never in my life known or heard the piece before, but once hearing it my life was forever changed. Then and now, every time I hear the antiphonal phrases, one of the double choirs answering the other, “and gladness of heart, and gladness of heart, and gladness of heart, and gladness of heart” involuntary shivers run over my body and my heart and mind are consumed by the music, made one with the music. In that moment, there is no music and no me, just the being, being in that place of exquisite and incomparable joy.

I have a recording of that piece, of that concert, of that sublime performance by eighty high school students led by a man they had only known two days that left an audience of parents and friends and music educators, and me, in awe. I listen to that recording still, and every time I do, it is not that I am taken back there again, but I am taken again, in a new moment, to a place I have come to know and to love, a place of pure delight.

Eilidh

Eilidh

The newest member of the Blue Hill Ensworth household: Eilidh (pronounced “Ellie”), an almost nine-week old Australian Shepherd. We picked her up in Martha’s Vineyard Saturday.

September

September

It was not September, but August.  We were in Maine for the celebration of my parents’ fiftieth wedding anniversary, which is not August, but September, September 7.  September is the month of my father’s birthday, September 28, but that September, he would not have a birthday.  Nor would some three thousand other folk have another birthday, because of one particular day in that September, September 11.

But it was August, not September, and we knew nothing of planes flying into buildings, and my father was still with me, with me, just me, just the two of us, sharing one more climb up Blue Hill, my father at almost seventy-nine, almost because it was still August, not September, still fit, ascending the steep ramps of the Osgood Trail at his own pace, slow, but steady and sure.  We talked as we climbed, deep talk, deeply personal talk, meaningful talk, the kind of talk you can only have with a father who is frank and wise and compassionate.  We took a photo on the open ledges at the summit, my father and me atop the mountain for which the town is named, his home in retirement then, a retirement delayed much too long and doomed much too short, and my home in retirement now, a retirement I live not only for me but for him, too, for the retirement he did not have.

It was August, not September, not the month my sister wanted to hold the anniversary party because it was after all my parents’ actual wedding month, but I objected because I could not come in September, because I was much too busy in September with my work, and if we had planned the celebration for September, as my sister wanted, my father would not have been there.

But it was August, not September, and my father was there and my mother was there and my sister was there and my brother was there and I was there, and dozens of my father and mother’s dearest friends were there, gathered from all around the country into an upper room at the Jordan Pond House, eating and laughing and making our tributes to a man and a woman whose shared life had an immeasurable impact on ours. 

It was a most wonderful August evening, not September but August, a most wonderful and unforgettable August evening, my father’s face luminescent, reflecting the warmth of the words that filled the room and his heart, glowing with the joy of a life lived with his one bride, their love hard-earned but now surer and more intimate than ever, radiating the knowledge of a grace deeper than words, that gave him his life and made it what it was and freed him to give the same to us.  It was August, not September, because when September came, he was already gone.

Toby’s last hike

Toby’s last hike

I climbed Blue Hill today, to remember and honor our most beloved Toby, the very best of hiking companions. It is a fitting memorial.

Toby's collar, leash, baby, and backpack on the Blue Hill summit
Toby’s collar, leash, baby, and backpack on the Blue Hill summit

We had Toby put down this morning, not wanting to prolong any longer his suffering or ours. Toby, you are forever in our hearts!

Toby on Blue Hill
Toby on Blue Hill
Home

Home

There is one thing in my life that, for better or for worse, I cannot change, one thing that has powerfully shaped my sense of identity, that I am rootless. Born in Pasadena, raised in Philadelphia, in town and in suburbs, then scattered across midwest and northeast in adolescence.

Grade four: Oakmont School, Havertown, Pennsylvania; best friend, Hunter Clouse; no girlfriend. Grades five and six: Red Cedar School, East Lansing, Michigan; best friend, Carlos Malferrari, girlfriend, Pam Nystrom. Grade seven: Huntingdon Junior High School, Elkins Park, Pennsylvania; best friend, Stephen Katz, girlfriend, Liz. Grade eight: East Lansing Junior High School, East Lansing, Michigan; best friend, David Backstrom, girlfriend, Kathy Lockwood. Grade nine: Hamilton-Wenham Regional High School, Hamilton, Massachusetts; best friend, Charlie Barker, girlfriend, Holly Cone.

Six years, five different homes, five different schools. Dear friends made and lost. Always letting go. Always starting over. Always the new kid. No place to be from. No companions to grow up with. No extended family because half of the extended family is half a country away and the other half is a whole country away and I know little, so little of their stories.

Who are you? Where are you from? Who are your people? Where is your home?

        “O Lord, you have always been our home.”

The Lord has been my home. From the age of four, I have known that before I was my mother’s son, before I was my father’s son, I am a child of God. That is where I live and breathe and have my being, in a space, spiritual and material, that is God’s own creation. Everything I see, I see through that lens. Everything I am or strive to be is measured against that sense of belonging.

For better or for worse. I am grateful, so grateful, for always being home, always being held in God’s embrace wherever I am, whatever may befall me. I am grateful, so grateful for a rich and varied life, for friends from Brazil and India and Argentina and Liberia, Jewish and Mormon and Hindi and Buddhist, musicians and athletes and scholars and thespians.

But I crave roots. I crave a human identity: ethnic or cultural, familial or regional. Which is why I was thrilled to discover, among my father’s papers, years after his death, a genealogy and family tree researched and published the year I was born by a cousin of my father’s mother, Jessie Laing Sibbet. Nearing the age of seventy, after retiring from my life’s work, after traveling three times to Scotland and falling in love with the land and its people, I have learned what I never knew, that I am one quarter Scottish, that my people come from Markinch in Kirkcaldy, that there is a place from which I come, at least from which a part of me comes.

I am hungry and thirsty to know more, to let this wanderer see where the journey began, to push down roots, to lay claim to a home, which though never was nor never will be where I live, is mine.

Katahdin

Katahdin

Katahdin looms — imposing, intimidating, unnerving — its implausibly enormous bulk dominating the skyline.  Katahdin is no singularly outstanding feature of this wild landscape; it is the landscape, and all the rest — forest, stream, foothill, me — we all lurk in its shadows.

The enchanting voice of my Maine muse, Carolyn Currie, cantillates from the speakers of my Santa Fe: “Red hawk’s rising on the back of the wind and she’s circling with an answer and I finally understand how to begin.”  Red hawk’s rising.  I play the song again and again as I make my resolute approach to the campground and trailhead at the base of the mountain.  Red hawk’s rising.  It is my mantra, my rallying cry, my anthem, as I steel mind and body for the quest that awaits me.  I will not soar like a hawk on the back of the wind, but I do intend to rise.  If it will allow me, I intend to rise to the top of this fabled mountain.

Fabled, renowned, iconic, Katahdin surely is, but, today, none of that matters to me.  Today, Katahdin is not Pamola’s mountain or Thoreau’s mountain or even the mountain of innumerable Appalachian Trail thru-hikers celebrating the denouement of a two thousand mile odyssey.  Today, it is my mountain.  Even surrounded by dozens and dozens of other hopeful summiteers, I climb alone — not to conquer an adversary or meet a challenge or check off an achievement on some life list.  No, any such motive would demean, demystify, devalue the majesty of this mountain.  I climb not to overcome Katahdin, but to be deemed worthy of meeting it, of learning some of its secrets, of being welcomed for a few unforgettable moments into its numinous space.

The trail begins, beguilingly beautiful, following dazzling Katahdin Stream as it ascends gently among birch and spruce and hemlock until reaching fifty-foot Katahdin Stream Falls cascading over a series of granite ledges.  The impressive cataract is well worth the mile and a quarter hike from the trailhead.  Undoubtedly, many a casual Baxter visitor ends the journey here, contented with traversing this splendid wilderness path and rewarded by the spectacular visage of the falls.

Beyond the falls, the climb begins in earnest, ascending four thousand feet in five miles.  The trail is relentlessly steep, up and up and up, not walking a steady incline, but scrambling over ledges and boulders among scattered glacial erratics.  I feel strong and stronger yet as the path grows steeper, taking some pride as my sixty-something body overtakes more than a few twenty-something or thirty-something bodies along the way.

I emerge from the trees at the base of the Hunt Spur, the crux of a Katahdin ascent via the Hunt Trail which also serves as the terminus of the Appalachian Trail.  Steep and long and difficult, the Hunt Spur is a naked ridge of jumbled boulders — car-sized, bus-sized, boxcar-sized.  Though marked by blue blazes painted on the granite, the way up is not always clear; every step must be carefully puzzled out, clambering over and around and between the massive boulders.  The climb is physically demanding, but even more mentally exhausting.  The immensity of the mountain, the unsettling exposure, the demanding route-finding, and the unrelenting steepness make an ascent of the Hunt Spur a daunting endeavor.

And a profoundly satisfying endeavor.  I crest the top of the ridge and step out onto the Tablelands, a wide, flattish, tundra-like landscape.  I walk steadily, part of the long procession of hikers following the trail roped off on both sides to protect the fragile alpine ecosystem.  We wind our way over the plateau, pass Thoreau Spring, mount the short summit ridge, and we are there.

I am there, standing atop Baxter Peak, surrounded by dozens of other happy climbers, but still very much alone, alone surveying the breathtaking panorama — Pamola and the Knife Edge, Chimney Pond and the Cathedrals, alone steeped in the joy of this moment, alone celebrating this mountain which has now become a part of my story and I a part of its story, Katahdin, my mountain.