7, 23, 37

7, 23, 37

For our prompt yesterday morning at the regular gathering of the Deer Isle Writers Group was to write a piece using three arbitrarily assigned numbers. The numbers I was given were 7 and 23 and 37. Here is my piece …

It has been eighty-nine years, every one of which I count as untold blessing, since that unspeakable season of impenetrable darkness and unrelenting dread, the winter of ’37. It was not the snows. Yes, we had bad storms that lasted for days and severe blizzards that dumped feet of heavy wet snow, so that we had to crawl out the windows to get outside, the doors pinned shut by ponderous drifts. We always had snow. We were used to it. And, as a boy of seven, the more than head high piles of snow were my playground, my imaginary Everests, the setting for many an intrepid ascent by this would be mountaineer.

No, it was not the snows. It was the ice, the rock hard ice that covered everything after days of thaw and then refreezing. Thick ice, cold and bitter, inches of ice coating snow and road, trees and house. all the more when the freezing rains came, days and days and days of freezing rain, the days just warm enough to leave it rain, but the nights quickly congealing it, bowing and breaking the slender birches, bringing even large limbs of the oaks crashing to the ground, rendering movement outside all but impossible, for us, our family trapped inside the house and for the pitiful deer we spied through ice-glazed windows, slipping and sliding and falling, on their futile quest to find any exposed vegetation.

It was the ice, the ice that rendered the outside world inert and unforgiving, and the ice that hardened human souls, rendering them too callous and cold and unforgiving. It was an ill wind blowing through the streets of Weimar, bearing rumors of a camp being built on Ettersburg Hill, only an hour’s walk from our front door, a camp called Buchenwald where, we would later learn, hundreds of thousands of Jews and gypsies and other “undesirables” were imprisoned, where tens of thousands of these human beings, these children of God, died.

We did not know that then, but we knew of the movement birthed out of post-war turmoil and a disastrous economy, a revolutionary movement momentarily derailed after the failed Beer Hall Putsch of ’23, but now gaining momentum, inexorable, inexplicable, utterly frightening momentum — friends, neighbors, church members channeling pain into anger, suffering into disdain, making of blameless women and men and children a suitable scapegoat for their own feelings of loss and helplessness and despair.

It has been eighty-nine years since that dreadful winter, the winter that birthed an unrecognizable spring, and years of unspeakable horrors, but it is over. It is long over. The madness did not prevail. But its seeds, its icy and cold-blooded seeds, remain, and even now take root in the hearts of once well-meaning people, once more stifling compassion and killing mercy, as unease and dissatisfaction are wielded as weapons in a senseless war against innocents. May God have mercy on us and may this winter too pass.

September 13, 1971

September 13, 1971

September 13, 1971
Three and a half hour drive
Father, mother, me
Park on College Street
Bustling with cars and people
Forty-somethings and eighteen-year-olds
Suitcases and backpacks and boxes

Formidable Gothic facade
Stone edifice framing Old Campus
Pass through iron gate
Father, mother, me
Sprawling courtyard
Intimate, august, intimidating
Cloistered quadrangle set apart

Walk to northwest corner
Father, mother, me
Granite steps front Wright Hall
Soulless red stone towers above
Three flights of stairs, cold and dark
Middle floor of five
Bare door 323

Inside stark empty colorless
No furniture save rude bunks plain desks
Just me two suitcases and a backpack
Quick goodbyes, too brief hugs
Then no father no mother
Just me in a place very much not home
Now what?

Two toothpicks

Two toothpicks

Two terrified toothpicks stuck
In quivering yellow jello
Slender silhouettes smothered
With gelatinous goo
Not able to move, not able to breathe
Not able to touch, not able to be
Not able to perform the humble duties
Of their courageous calling.

Alas! Alas!
How did it come to pass
That two such noble picks
Landed in this terrible fix?
Was it fate or chance
Accident or happenstance
Or the malicious machinations
Of a singularly sadistic cook?

It matters not
The die is cast
And regardless of intent
These wooden soldiers are now bent
On a path most formidable
Its perils truly unthinkable
If perchance that jello be piled
On the unsuspecting plate of a child.

Two tormented toothpicks stuck
In insidious yellow jello
Their destiny not to be forsworn
None but me left to mourn
O doomed wayfarers
Wrenched from your appointed vocation
May I now sing of your unrivaled nobility!
May I now praise your unmatched magnanimity!

Hanging Wallpaper

Hanging Wallpaper

Lynne and I cannot hang wallpaper together. No worries, of course, because who hangs wallpaper any more? But if we were to, we wouldn’t.

One of would want to get the job done and then move on to the next thing, satisfied with checking another item off the to-do list. The other of us would be checking and rechecking, placing the four-foot level against the wall as each sheet was unfolded and eased into place, making sure the seam was still perfectly plumb, running the wooden roller over the seam again and again and again, until the edges of the adjoining sheets were determined to be perfectly flat and perfectly abutted, no hint of bare wall between and not the slightest overlap, sweeping brush and sponge over the face of the sheets smoothing out each and every bubble, taking tile knife and straightedge to cut top and bottom perfectly flush to ceiling and baseboard (unless of course the baseboard had first been carefully removed so as to run the wallpaper behind before carefully replacing the baseboard and happily avoiding any bottom edge at all which could curl or not precisely match the top edge of the baseboard, a step — that is first removing the baseboard — one of us would consider to be wholly unnecessary and a waste of time), and then, finally, after completing all the tasks for that one sheet, the other of us would stand back, not admiring, but inspecting, and if everything were not just so, would go back to that one sheet, pushing and pulling, rolling and adjusting, standing back and inspecting, until that one sheet were just so, or failing that, would rip down that one sheet and start over with a new piece.

Lynne and I cannot hang wallpaper together, and, God be thanked, it has been thirty years since we would have ever dreamed of doing so.

Emptiness

Emptiness

Clay is used to make a pot
But it is the empty space within that makes it useful as a container
(From Tao Te Ching, Chapter 11)

And yet the empty space becomes useful only as it is constrained by the shape of the pot. The emptiness by itself cannot hold water or carrot soup or haddock chowder. It must be transmuted into a certain kind of emptiness, an emptiness that is no longer amorphous but defined, delimited, made purposeful. And the defining, delimiting, purpose-making, though accomplished by the pot, is not of the pot’s intention. The pot is the means by which an artisan transforms the emptiness and infuses it with usefulness.

Artisans employ imagination to transform emptiness. The imagination of a homebuilder fashions of emptiness a warm and congenial and inviting space to which to retreat. The imagination of a poet transfigures emptiness into the freighted silences between the words. The imagination of a peacemaker makes of emptiness, not an uneasy and anxious hiatus, but a contented and hopeful quietude.

Emptiness is the raw material, as it were, out of which artisans create not only usefulness, but beauty. The emptiness within any pot can hold water or carrot soup or haddock chowder, but that emptiness becomes all the more precious and the experience of the emptiness serving its purpose all the more satisfying when the pot is shaped with an artful or whimsical or exuberant eye. The silences between and among any string of words may be freighted, but the freight may be dull and uninspiring, or it may be enthralling and exhilarating, depending on the skill and imagination of the poet.

Out of emptiness emerges all that we may find gratifying and delightful and sacred in this life, when it is laid in the hands of a viruoso artisan.

Fie on you

Fie on you

Fie on you craven chieftains
Who send young folk to war
Your fevered dreams and ignorant schemes
Mock the wisdom that held before
Your silvery tongues keep wagging
As you unleash the awful roar
Of myriad murdering missiles
Leaving hell only wanting more.

Fie on you flattered fools
Your choices rash and imperious
Heedless of law and gleefully smug
Your motives murky and odious
The bodies of graybeards and giggling girls
Lie shattered amid the detritus
The world you thrust into turmoil untold
Our common fate precarious.

Fie on you belligerent bullies
Boastful and bloated and vain
May history judge you rightly
Though now its lessons you disdain
The bitter cost in bodies and blood
And trust we’ll toil to regain
Is borne with unflagging hope
That one day we’ll shed this bane.

a drop of water

a drop of water

It coalesces on the glistening icicle,
halved ovoid
tiny and translucent
but formed of myriad melting molecules
more in number than the stars in the sky

It clings tenuously to the slender stalactite
resisting gravity’s irresistible pull
gently pulsating
as it slides millimeter by millimeter
down the shimmering ice

It pauses at the sparkling spear’s tip
gathering its now swelling self
waning winter
suspended tantalizingly
before falling through the still frigid air

It falls and is gone
disappeared into the trampled snow
that single drop of water
dazzling in its rapturous descent
now unseen but ever remembered

Just sing

Just sing

sing
let all that lives in your heart break forth
sing joy and sorrow and yearning
sing hope and horror and believing
sing love and loss and longing
sing triumph and tragedy and trusting
just sing

sing
let all that lives in your heart break forth
let your song paint with clarion colors
let your song dance with shimmering swirls
let your song persuade with spellbinding speech
let your song delight with mellifluous music
just sing

sing
let all that lives in your heart break forth
so that creation will not be left empty and void
so that truth will not be left unspoken
so that divides will not be left uncrossed
so that God will not be left unpraised
just sing